B.o.B – So Good Video

I like this video for a few reasons…

1) It reminds us that rap music can be fun, adventurous, loving, intimate and playful without being thuggish and violent, or disrespectful to women.

2) I think that’s Tessa Thompson in the video and I’d LOVE to make a movie with her. [mark my words, now that I've put it out there, some famous director is going to put her in a movie and she's going to blow up!]

3) These mofo did some serious traveling around the world to make this video!

4) If you have a Nintendo 3DS, you can download the video in 3D.

DIGI Distribution – Online / VOD Distro & Marketing for Indies

I caught wind of the DIGI  Distribution model from @MilesMaker™ via a Facebook post. It seemed incredibly apropos to my current situation.

My regular followers know I have two completed feature films. One is  Broken Hearts Club (2008) and the other is Serious Rogers (2010). BHC went into “distribution” via a sales rep and a nonexclusive arrangement with Goliath Promotions. In my heart I’ve always felt that it deserved more. Bigger. Better. Then Serious Rogers was finished and right out of the box it went bigger and wider. There was massive interest in this neo-noir thriller. I met with several BIG distributors at AFM and corresponded with them for months afterwards.  Eventually the super slow market and poor economic conditions of 2011 led everyone to pass.

I tried to take Serious Rogers to VODO.net for a torrent release. My thinking was that I would benefit from the exposure and thus be in a better position for my third film. Unfortunately I found the site clumsy and severely lacking in customer service.

I looked at Mininova as another torrent-release option. Ugh! For sure these folks are shooting themselves in the foot with their labyrinthical web sites. Fuck-a-torrent, I said.

I considered a serial release via a web series portal because I wasn’t into doing the whole YouTube marketing thing myself but I didn’t get a timely response from the upstart web series portal. I started reconsidering Distribber.  Distribber offers a  service that provides the filmmaker with 100% of his revenues, but he pays a hefty fee of  $1200-1500 upfront. In order to use Distribber’s services I would have to go back to Indiegogo and launch a crowdfunding initiative to raise the money. Meh.

DIGI Distribution

Then I read Miles’ post about Digi Distribution. The process works like this: after submission of a DVD screener and approval  you get a nonexclusive distro agreement offering 70% of gross sales, placement on iTunes, Amazon, Netflix, Hulu, Amazon, DirecTV, Dish Network, COX, Comcast and Cable VOD. DD does all the marketing for you. They even pay the encoding fees.

So far, I don’t see anything to complain about. I’m going to give ‘em a shot using both of my films and report my findings here on my blog.

Lost in Translation

Lessons Learned. Don’t give advice until someone asks for it.

A gentleman contacted me on a social network last week. As a result of that contact I was led to his pending film project. The project included a logline and synopsis. I read the information…and left a comment that went something like this:

I love alien invasion films! I think you’re on to something by setting the initial invasion within the deep woods of Louisiana. In the Togline you mentioned something about a time zone and it’s not clear what the impact is. Also, remember that the synopsis should clearly identify the protagonist, the antagonist and the conflict. Good luck!

I cannot remember exactly what I wrote because the gentleman quickly deleted my comment (which is his prerogative), left a negative comment on my film project page, and sent me this exact email:

Please don’t post your bad comments on my page. I see your synopsis need a lot of work, why do black folks tries to pull other black folks down? its not COOL.

Obviously something got lost in translation. My first thought was to tear him a new asshole but then I considered the fact that my “critique” wasn’t requested and thus is pretty  much like an uninvited guest: unwelcome. Oops, my bad. But why did the brother try to pull the race card on me, given the fact that we’re both striving for the same thing: an opportunity to make movies. I’m in no better position of power than he is, but suddenly I’m “trying to pull [him] down.”

I did respond. I told him him I was trying to help and that his perception that I’m “trying to pull him down” was way off base. I think I should have just directed him to my blog. If I was sincerely interested in keeping my fellow brother and sister filmmakers down, why would I share so much of my journey in my blog?

Nevertheless, it is a lesson learned.

The Good, the Bad and the Ugly

Deterrence Theory

Behind the Badge

THE GOOD

I’ve got lots of projects rolling and trolling around my personal headspace. In particular is a sexy psych thriller called Deterrence Theory. I’ve uploaded to project to Forest Whitaker’s Juntobox Films web site. If the projects is reviewed favorable and approved, it might get greenlit by the company. If the company greenlights the project, it puts up all the money to make the film!

THE BAD

In order to be approved for consideration the project first has to amass 80 favorable reviews of 4 stars or greater. I’m lucky, in just a short time I have nearly 50 people who’ve reviewed the site. I need 30 more to seal the deal. And that’s why I’m writing this blog.

THE UGLY

In order to follow and rate my project you have to first register o the site. Problem is, the site, Juntoboxfilms.com is still in beta. I ran into several glitches when I tried to register by linking my account to my Facebook profile.  The site could have benefitted from a longer incubation period or better year, a hold until the beta 2.0 version. Sorry Forest.

CALL TO ACTION

That said, I still need your help to bring Deterrence Theory to life. If you read this blog, subscribe to this blog or stumble upon this blog, please go to http://www.juntoboxfilms.com/projects/deterrence-theory , register ( it’s probably best not to link your FB account at this time ), then FOLLOW my project , and most important, find the stars by the logline, synopsis and media (images) and rate them FOUR STARS or higher.

Thank you for your support :)